Last week I bucked the trend. I watched a movie at a movie theatre! It was a Malay movie with a thoughtless title: Polis Evo.
The last time I watched any movie at any theatre was in 1984, when I was a student in New York. That movie was the original slasher "The Texas Chainsaw Massacre". I couldn't enjoy the movie. A lady seated right behind me screamed every time the freak with the chainsaw came on.
Don't get me wrong. I like movies. I even have my own list of "movies to see before you die", which I can show you if you're interested. Just ask. The first movie I watched at a theatre was a P Ramlee comedy flick "Madu Tiga" in 1964. It was truly a magical experience for me. Big screen, big crowd, big sound, in complete darkness. And P Ramlee was a genius. When I came out, I just couldn't find my way in broad daylight and almost fell over. My elder sister had to steady me.
I watched a lot of movies during my hostel days at Tiger Lane. The school showed one movie a week, every Friday, free. Half of the films starred Jack Palance. He wasn't exactly a pretty sight, but he was 100 times more popular than our head boy. Sometimes we had a new guy operate the projector and the jerk would somehow contrive to start with the end part and give away the whole plot. In my eight years there, I must have watched at least 300 movies. But if I rope in the movies I watched with friends in Ipoh town, I could've easily racked up 400 in total, including the epic Haathi Mere Saathi (twice). I'm not sure what's the industry standard, but 400 seems a lot.
Now back to Polis Evo. Even with complimentary tickets in hand, I was initially quite reluctant, and even offended by the mere suggestion. It's a 32-year old record, remember? If I went ahead, I'd have to start all over again and I can only equal this record in 2047, when I'm 94. And what if I got found out by my Whats App groupies? These zealots have been posting all kinds of scriptures urging old and unsuspecting classmates to contemplate and repent and abandon all worldly pleasures. Watching Polis Evo is hardly the way forward.
But it's common curiosity that finally won the day. The film had been heavily marketed on all Astro channels and Rapid buses. The box-office collections had broken the RM10 million mental barrier in just two weeks. It's a lot of money, even at the current exchange rate. Some half-brain punks on H Live were raving with a rating of 11 out of 10. It's a Van Persie moment, and the curious little boy inside had to make the call. I finally relented. So there I was with wife, Aida and Sarah at GSC Summit USJ. The theatre, or Cineplex, nowadays is actually very small, much smaller than the old Lido cinema in Kota Bharu where I watched Madu Tiga.
Polis Evo is technically not a Malay movie. At least not the one that I watched. Half of the dialogue was in Trengganu tongue, the other half in deep Kelantanese. It had been bandied about as an action-comedy, with a tired formula that borrows heavily from Lethal Weapon, Bad Boys or even Rush Hour franchises. It fell flat. It was a waste of time and it's unworthy of any serious review and rating.
The premise and plot were outrageous and insulting all at the same time. Cliched and corny at every turn, with non-existent sub-plots to speak of. The movie was set and actually shot in Kuala Terengganu, and how's that for a mindless non-starter. Kuala Terengganu? Can you believe it? Tripadvisor has rated Kuala Terengganu way behind Gombak as a destination for tourists or for anybody. In real life nothing actually wants to happen in Kuala Terengganu. And now suddenly car chases, shootings, explosions, meth labs, drug running, hostages. What can be more implausible and improbable than this? It even showed Pasar Payang so that nobody would mistake it for some place else.
The performance of the entire cast was patchy and promptly forgettable, even by my pathetically low standard for Malay films. Give me Ahmad Yatim any day. The problem with all pelakon Melayu is that they try too hard and it shows. They come across as dysfunctional, farcical and altogether ineffectual. In Polis Evo the characters who really delivered were the bad guys who spoke and looked Kelantanese to the core.
Terengganu diction is dark and twisted and is never easy on the ear, but why let a non-Terengganu cast mangle it further? All of which begs the question as to why weren't real and able Terengganu persons used? In the whole of Terengganu Darul Iman, nobody except Zizang is good enough? My daughter-in-law is from Manir and I think she's pretty enough to walk into that sister part (Normally I'm owed a big dinner for saying something like this).
All this has left me with only one viable verdict: that how hard Zizang tries to market his home state, Terengganu just doesn't have it.
Like most bad movies, Polis Evo did have its bright moments. Two actually, both in Kelantanese. One, the part when the baddest of the baddies counseled Zizan for pretending to be a fool, "Bo la buak bodo nyoh, takuk jjadi bodo sungguh". That's brilliant. Zizan would be wise to take this seriously. Two, when the same guy took Zizan's sister as hostage and he warned Zizan "Aku keno ambik adik mu buak koletero (Collateral)". Koletero! Hahaha. Sounds like cholesterol.
The premise and plot were outrageous and insulting all at the same time. Cliched and corny at every turn, with non-existent sub-plots to speak of. The movie was set and actually shot in Kuala Terengganu, and how's that for a mindless non-starter. Kuala Terengganu? Can you believe it? Tripadvisor has rated Kuala Terengganu way behind Gombak as a destination for tourists or for anybody. In real life nothing actually wants to happen in Kuala Terengganu. And now suddenly car chases, shootings, explosions, meth labs, drug running, hostages. What can be more implausible and improbable than this? It even showed Pasar Payang so that nobody would mistake it for some place else.
The performance of the entire cast was patchy and promptly forgettable, even by my pathetically low standard for Malay films. Give me Ahmad Yatim any day. The problem with all pelakon Melayu is that they try too hard and it shows. They come across as dysfunctional, farcical and altogether ineffectual. In Polis Evo the characters who really delivered were the bad guys who spoke and looked Kelantanese to the core.
Terengganu diction is dark and twisted and is never easy on the ear, but why let a non-Terengganu cast mangle it further? All of which begs the question as to why weren't real and able Terengganu persons used? In the whole of Terengganu Darul Iman, nobody except Zizang is good enough? My daughter-in-law is from Manir and I think she's pretty enough to walk into that sister part (Normally I'm owed a big dinner for saying something like this).
All this has left me with only one viable verdict: that how hard Zizang tries to market his home state, Terengganu just doesn't have it.
Like most bad movies, Polis Evo did have its bright moments. Two actually, both in Kelantanese. One, the part when the baddest of the baddies counseled Zizan for pretending to be a fool, "Bo la buak bodo nyoh, takuk jjadi bodo sungguh". That's brilliant. Zizan would be wise to take this seriously. Two, when the same guy took Zizan's sister as hostage and he warned Zizan "Aku keno ambik adik mu buak koletero (Collateral)". Koletero! Hahaha. Sounds like cholesterol.
Any of you reading this, there's still time to change your mind. Don't fall for the hype and vibes. Better never than late.
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